Seedance 2.0 Prompts: 8,204+ Examples & Guide

15秒超写实搞笑短视频，9:16竖屏，手机原相机纪实质感，真实健身房环境，柔和室内顶光，全程像朋友在旁边随手跟着拍，轻微自然晃动，生活化非常强。 【人物设定】 高颜值年轻亚洲女生，自然淡妆，五官精致舒展，身材匀称，气质温柔清冷，真实路人感，皮肤保留自然纹理和细微汗珠，不网红磨皮，不夸张整容脸，身体比例自然。面部和身材完全保持与参考图一致 镜头1｜0-4秒 假象自律 明亮干净的健身房，背景有少量正在训练的人影和器械。女生在自由训练区认真做标准深蹲，动作流畅稳定。镜头从画面右后方手持跟拍，先轻缓后退保持人物全身入镜，再随着她起身微微上抬，像朋友边走边拍，画面有轻微呼吸感和自然晃动，营造她非常自律刻苦的错觉。 镜头2｜4-8秒 误导继续训练 硬切到侧面跟拍，女生站立举小哑铃做弯举训练，微微出汗，认真发力，表情冷静专注。镜头贴近她身体侧前方跟随，先轻微横移，再缓慢推近到上半身，背景器械自然掠过，观众以为这是一条自律健身视频。 镜头3｜8-12秒 第一层反转 女生突然放下哑铃，表情从专注变成松弛，长舒一口气。镜头继续手持跟随她走到训练凳旁。她坐下，从随身健身包里掏出炸鸡和冰奶茶，动作自然熟练，撕开包装袋。镜头在她掏东西时快速但轻微地推近，形成抓拍式喜剧效果。 镜头4｜12-15秒 终极反转 镜头直接推到近距离人脸和炸鸡奶茶同框。女生坦然自然地咬一口炸鸡，再喝一口奶茶，看向镜头，用轻松随意的语气说：“吃饱了才有力气减肥。”说完表情淡定，像在说一件很正常的事。结尾停留在她淡定干饭的反差脸上，手持镜头有极轻微的前后晃动感，强化朋友偷拍感。 【画面质感】 超写实真人实拍，原相机高清画质，真实皮肤纹理、毛孔、汗珠和自然肤色，健身房轻微环境噪点，室内顶光自然，不要电影级精致布光。镜头运动以手持跟拍、轻推近、轻横移为主，节奏随性，不做稳定器丝滑运镜。场景之间直接硬切，不做花哨转场。 【音效】 健身房远处器械碰撞声、轻微脚步声、女生训练呼吸声、包装袋撕开声、炸鸡咀嚼声、奶茶吸管声。台词清晰自然，不要夸张配音感。台词说完后加入短促轻松搞笑音乐点。 【负面提示词】 畸形手指，扭曲肢体，多指，少指，脸部崩坏，五官错位，AI假脸，塑料皮肤，过度美颜，硅胶脸，夸张美瞳，变形身体，比例失调，头身比例异常，悬浮物体，物品穿模，画面闪烁，物体漂移，卡通渲染，3D动画，手绘，插画，屏幕字幕，文字，花字，水印，logo，边框，强烈滤镜，柔光磨皮，稳定器顺滑运镜，固定机位，僵硬摆拍，舞台打光，惨白假光，过度布光，多余人物，杂乱抢镜杂物，夸张表演，尬演，做作表情

The Wrong Coffee — Midtown Manhattan, New York Duration: 30 seconds | Aspect Ratio: 16:9 | Style: Cinematic luxury editorial Character References: Use the two supplied images strictly as character references, not starting frames. The man, Alex, is a confident, successful Manhattan finance executive. Preserve his exact face, dark tailored suit, tie, and hairstyle. The woman, Allisa, is the second character; preserve her exact identity, hairstyle, and elegant fitted outfit. Visual Continuity: Warm, slightly vintage editorial photography with amber highlights, muted contrast, subtle film grain, and realistic skin texture. Consistent color across every scene. No artificial glow or plastic skin. Environmental Accuracy: All visible signage, menus, names, and street text must be correctly spelled and legible. No gibberish. Scene 1 — Morning Coffee (0–4s) Inside an upscale Midtown Manhattan coffee shop with polished stone counters, sophisticated interiors, and busy professionals. Alex approaches the counter, composed and confident. No coffee cups are visible on the counter. Camera positioned behind Alex, looking toward the counter. A beautiful barista in her very early twenties, with striking model-like features and a naturally charismatic presence, turns slightly toward the off-camera coffee preparation area. Alex, casually: "Double espresso, please. My name is Alex." Barista, friendly: "Coming right up." Display exactly "Midtown Manhattan, New York" in the lower third, horizontally centered at the bottom of the frame, Poppins Semi-Bold 600, white (#FFFFFF), on a rounded charcoal-slate (#17212B) background at 60% opacity. No extra characters. Scene 2 — The Barista (4–7s) Camera positioned behind Alex, but a different POV from Scene 1, looking toward the counter. Barista, calling clearly: "Double espresso for Alex!" Alex remains absorbed in his phone. No coffee cups are shown in this shot. Scene 3 — The Wrong Cup (7–11s) Two takeaway coffees are placed side by side on the pickup counter by an unseen employee. One cup is clearly labeled ALEX, the other ALYSSA. Still looking at his phone, Alex reaches with his free hand and mistakenly picks up only the cup labeled ALYSSA. He walks away carrying it, unaware of the mistake. His actual coffee, labeled ALEX, remains on the counter. Scene 4 — The Sidewalk (11–14s) Outside, Alex walks briskly along a busy Midtown Manhattan sidewalk, carrying ALYSSA's coffee in one hand while continuing to look at his phone in the other. Behind him, ALYSSA exits the same café that Alex just came out of, holding his coffee and spots him ahead. Scene 5 — The Encounter (14–19s) ALYSSA catches up to Alex on the sidewalk. ALYSSA, lightly amused: "I think you grabbed my coffee." Alex looks up from his phone, stops, and glances at the cup. Alex, looking at his cup, and then ALYSSA, with an apologetic smile: "Oh, you're right. Sorry about that." They naturally exchange cups. Alex puts his phone away. Scene 6 — Same Direction (19–24s) Alex gestures down the sidewalk. Alex, casually: "Which way are you headed?" ALYSSA, pointing ahead: "Same way as you, apparently." Alex, smiling: "Well, that's convenient." They share a laugh and begin walking together, talking comfortably. A fixed camera captures them moving away down the sidewalk until they exit the frame. Scene 7 — An Unexpected Connection (24–30s) Hard cut to a fixed camera position farther down the same Midtown block. Alex and ALYSSA walk side by side, coffees in hand, enjoying an animated conversation. Allisa, playfully: "So, is this your usual morning routine?" Alex, amused: "Not usually this interesting." Allisa laughs naturally, completing her laugh without interruption. They continue walking and talking, moving toward the right side of the frame. Both characters fully exit the frame to the right. Hold the empty sidewalk for the final 0.5 seconds before ending. Direction: Natural conversational dialogue, accurate lip-sync, subtle emotional expressions, and realistic physical interactions. Alex keeps his phone in one hand throughout Scenes 2–4 and picks up only Allisa's coffee with his free hand. The ALEX cup stays behind until Allisa retrieves it. Maintain exact cup ownership and continuity. Varied cinematic tracking and close-ups, with fixed camera positions for the walking exits. Clean instantaneous hard cuts. Allow dialogue, reactions, and laughter to finish naturally. No slow motion, morphing, subtitles, or music.

Vertical 9:16 hyper-realistic transformation video, documentary style, static wide-angle camera from the corner of an empty white room with one bright window and a bare concrete floor. Shot 1 (0–4s): A bearded man in blue denim overalls and a black long-sleeve shirt rakes a huge cone-shaped pile of thousands of antique brass and iron keys with a black leaf rake, methodically spreading the keys evenly until the entire floor is covered in a dense carpet of old keys. Shot 2 (4–8s): A woman with long brown hair in red overalls and black gloves pours thick glossy white self-leveling epoxy resin from a large white plastic bucket; the milky liquid flows outward in smooth waves, swallowing the keys and covering the whole floor with a mirror-smooth white surface, a few key silhouettes poking through. Shot 3 (8–17s): A worker in a yellow high-visibility vest, black cap and grey work pants pushes a red-and-white ride-on floor grinder with a black vacuum hose, polishing the hardened epoxy in smooth passes; golden key shapes emerge embedded in the glossy floor like terrazzo, reflections of the window and the worker visible on the mirror-like surface. Shot 4 (17–23s): Two workers in black polo shirts and black caps assemble a dark walnut bed frame in the center of the room, place a white mattress, smooth out white bedding and pillows, then wooden nightstands with white ceramic lamps appear on both sides; the finished bed with beige accent pillows stands on the polished floor full of golden keys as the workers walk out of frame. Bright natural daylight, soft shadows, satisfying ASMR renovation timelapse mood, photorealistic textures, smooth motion, no text, no watermark.

Create a 28-second vertical 9:16 photorealistic cinematic action video featuring a young Korean woman with long black hair, wearing an oversized white T-shirt and casual shorts, running through a modern city under attack. Show her sprinting across a rooftop while mysterious enemies chase her, with realistic movement, intense expressions, and dramatic camera tracking. She leaps toward a glass building, crashes through a window, and lands inside a traditional Japanese-style room filled with warm natural light. Show her quickly grabbing a pink futuristic rifle, preparing herself for the dangerous battle ahead. Transition into a chaotic Japanese street with damaged buildings, overturned vehicles, vending machines, and smoke filling the atmosphere. She runs through the street holding her weapon as explosions erupt behind her, creating an intense cinematic survival sequence. Include a spectacular slow-motion moment where she is thrown into the air by a powerful explosion, her hair and clothes moving naturally. Maintain consistent facial identity, realistic skin texture, accurate hands, natural body proportions, detailed environments, and smooth cinematic motion throughout. Use dramatic lighting, realistic physics, immersive action-film sound effects, dynamic camera angles, and high-end Hollywood movie quality. Avoid cartoon effects, distorted anatomy, extra fingers, flickering, unwanted text, logos, and watermark

Vertical 9:16 photorealistic satisfying renovation video, one continuous scene in a bright empty room with white walls, bare wooden floor and a large sunlit window on the right. Shot 1: A bearded man in a gray t-shirt and blue denim overalls vigorously rakes a huge conical pile of thousands of colorful jelly bean candies, spreading them into an even layer that covers the entire floor. Shot 2: A woman in red overalls and a gray t-shirt pours thick glossy white epoxy resin from a large white bucket; the creamy liquid flows over the candy layer and spreads outward, fully covering the colorful beans. Shot 3: A worker in a neon-yellow safety vest and black cap grinds the cured white floor with a professional floor polishing machine; the top layer is buffed away, revealing thousands of colorful jelly beans embedded under a crystal-clear, mirror-glossy epoxy surface, like candy terrazzo. Shot 4: Two men in black t-shirts and black caps quickly assemble a wooden bed frame, set a white mattress on it, and make the bed with crisp white bedding, all in fast-forward motion. Final shot: Slow beauty shot of the finished minimalist bedroom — a luxurious mirror-shiny floor filled with colorful candy under transparent epoxy, sunlight reflecting off the polished surface. No people. Style: viral satisfying DIY renovation timelapse, static wide-angle camera from the doorway, natural daylight, ultra-detailed, smooth realistic physics of pouring liquid and rolling candy.

【视频规格与整体风格】 9:16竖屏，15秒，一镜到底。中国野生动物园内，游客用普通手机偶然拍到的惊险现场。起初平静，巨鳄突袭后摄影者晚半拍受惊，镜头抖动、拍偏，再慌忙找回人物。保留业余手机录像的真实感。 【角色与参考锁定】 女主使用预设成年中国女性角色#1@598c0e35-7c27-4b7c-8bac-19bb206ff1c3，穿着预设服装#2@d57ec59a-c0a5-4eae-84f4-4f02ef21a92d，严格保持参考中的面貌、长发、服装款式、颜色和材质。#1是人物，#2是服装，编号不出现在画面中。 管理员是一名四十岁左右的中国男性，短黑发，穿卡其色短袖工作服、深色长裤，胸前佩戴工作证，站在女主侧后方。 后方有少量成年中国游客，穿夏季便服，自然错落站在栈道上。 【场景与机位】 热带鳄鱼观赏区，旧木栈道沿深绿水池延伸，对岸是竹子、棕榈和灌木。粗木栏杆从画面右下方斜向背景延伸。 外部摄影者站在女主侧后方约一米，略高于她手中手机的位置，竖屏向下拍摄。画面右侧是女主、管理员和栈道，左侧及下方是水池。 潮湿白天，自然日光穿过植被，水面反射轻微绿色。普通手机1倍主摄，轻微手抖、歪斜、压缩涂抹、暗部噪点，急转时短暂模糊。无电影调色、无人机机位或人像虚化。 【女主手机朝向——必须准确】 女主是在使用手机后置摄像头拍摄水里的鳄鱼，不是自拍，也不是把手机展示给外部摄影者。 女主双手横握手机两端，手指避开后置摄像头。手机位于她胸口以下、栏杆外沿附近，机身明显向下俯倾，后置镜头的拍摄方向准确落在左下方的水下巨大暗影上。 手机屏幕朝上，并略微朝向女主的脸；手机背面及后置镜头朝下，面对水面。女主低头看屏幕，通过屏幕观察水中的目标。 从外部摄影者略高的侧后方角度，应主要看到手机屏幕和机身侧边，不应正面清楚看到整个手机背部及摄像头模组朝着外部摄影者。 屏幕取景内容与真实水面一致：能看见同一片水面及同一条模糊暗影，不出现女主自拍脸、无关风景或错误方向的画面。 女主轻微调整手腕时，手机后置镜头始终追随水下暗影。直到巨鳄突袭，她才因受惊而收回手机、打乱朝向。 【巨鳄与首帧状态】 只有一只异常庞大的深灰黑色鳄鱼。跃起时，头部接近成人上半身大小，张开的嘴占据画面左侧近半幅，尺寸参照原视频，不生成普通小鳄鱼。 首帧中巨鳄完全潜在水下，只呈现一条巨大、模糊的长形暗影，像沉木。水体反光和浑浊遮住细节，不能清楚辨认头部、眼睛、鼻孔、鳞片或牙齿，没有任何部位露出水面。 巨鳄从始至终保持相同体积，不在跃起瞬间突然膨胀。 【0—2秒：对准水下暗影拍摄】 女主站在栏杆内侧，身体微微前倾，双手横握手机，将手机后置镜头朝下对准左下方水中的巨大暗影。 她低头看朝向自己的屏幕，屏幕内的暗影与水池里的暗影位置对应。外部摄影者从她侧后方拍到手机屏幕、女主侧脸和下方水面。 管理员严肃提醒： “女士，退后一点，别靠栏杆！” 水面只有轻微波纹，鳄鱼仍未露头。 【2—4秒：目标靠近，手机跟随】 水下巨大轮廓缓慢朝女主所在位置接近。女主小幅转动手腕，让手机后置镜头继续对准正在移动的暗影，屏幕朝向自己，不把手机背面转向外部摄影者。 管理员靠近一步，伸手准备扶她，语气变急： “那不是木头，是活的！别探身！” 女主开始收回身体，但手机仍在拍水面。本段末尾，鳄鱼鼻端和眼睛才刚刚破水。 【4—6秒：巨鳄突袭】 巨鳄猛然顶开水面，巨大头部沿栏杆外侧升起，张开的嘴瞬间占据画面左侧近半幅，带起大片水花。 女主尖叫，急忙往回收手机和手臂。手机朝向因惊吓而失去稳定，此前必须一直正确对准鳄鱼。 巨鳄短暂咬住她伸在栏杆外的一侧前臂及附近衣料。管理员立即扶住她的上臂和肩背，稳住她在栏杆内侧的重心。 外部摄影者受惊后退半步，镜头短暂上抖，没有切镜或伤口特写。 【6—9秒：挣脱与落水】 巨鳄短暂松口、头部回落，女主趁机收回受伤前臂，管理员顺势将她拉到栈道内侧。动作必须有明确松口，不能让手臂穿过闭合牙齿。 手机从女主手中滑落，翻转后掉进水池，只掉落一次。 巨鳄砸回水面，激起白色水花。女主捂住前臂，伤处有少量红色液体渗出，形成短而细的流痕，沾到接触位置的衣料，并有一两滴落向木栈道。 不展示深层伤口，不喷射，不大量涌血。 管理员喊： “退后！别伸手！别捡手机！” 【9—11秒：游客慌乱】 女主退到栈道中间，护住受伤前臂，肩膀发紧，呼吸急促。 近处游客先缩肩后退，拉住同伴；后方游客听到尖叫才转身，有人收手机，有人侧身让路，先后惊呼： “快退！” “别靠栏杆！” 人群反应有时间差，不整齐同步，不穿模，不跌入水池。巨鳄留在水下，不再进行第二次攻击。 【11—13秒：管理员疏散】 管理员站在女主与栏杆之间，护着她继续退开，伸手示意游客让路： “往后退！大家别挤！” 一名附近游客递来纸巾，女主接过按住同一处伤处，纸巾接触位置逐渐染上少量红色。 摄影者小幅后退并修正构图，同时拍到女主、管理员和正在慌乱退让的游客。 【13—15秒：惊魂余波】 女主捂住前臂，喘着气、声音发颤地说： “吓死我了……它真咬啊！” 管理员仍护着她，警惕地看向水池。背景游客低声提醒： “离远点，别拍了！” 结束在女主惊魂未定、人群退开、水面余波尚未平息的现场。 【现场声音】 全部为手机现场收音，中文对白，无配乐、旁白和字幕。 开头有游客低声交谈、竹叶摩擦和轻微水声。管理员声音近而清楚，随危险发生从严肃提醒变为急促制止。 巨鳄出水时有沉重水声、女主尖叫、近处吸气声；随后是手机落水、水花砸落、急促喘气和凌乱脚步。最大水花与尖叫使麦克风短暂削波，随后自动增益恢复。 远处游客声音更散、更轻，不添加怪兽咆哮。 【连续性与重点约束】 开头女主手机必须正确拍摄水下目标：屏幕朝上并朝向女主，后置镜头朝下对准鳄鱼所在位置；外部摄影者主要看到屏幕与侧边。禁止手机背部镜头朝外部摄影者，却表现成正在拍摄水下目标。 首帧只有水下模糊巨影，不出现清楚鳄鱼头、眼睛、鳞片或牙齿。红色液体只在咬伤之后出现。 保持人物#1、服装#2、管理员、巨鳄和栈道连续。受伤始终是同一侧前臂，红色流痕、衣料损伤与纸巾按压位置对应。 只有一部手机，落水后不回到手中。女主与管理员始终在栏杆内，鳄鱼@d57ec59a-c0a5-4eae-84f4-4f02ef21a92d始终在池内。全过程保持接触、重量、咬合、松口和后退动作的因果关系。 无伤口特写、无断肢、无深层组织展示。全片一镜到底，无慢动作、回放、摄影棚揭底、界面覆盖或水印。

Create it 30-second video featuring a breathtaking cinematic acrobatic performance above a beautiful turquoise lake surrounded by lush green mountains, misty cliffs, and soft cloudy skies. A graceful female acrobat wearing a flowing white outfit performs incredible flips, handstands, aerial rotations, and perfectly controlled balancing moves on a series of tall, narrow wooden poles rising above the water. The camera captures her movements from wide cinematic angles and smooth tracking shots, highlighting her strength, flexibility, and balance against the stunning natural landscape. She leaps gracefully from one pole to another, spins through the air, and lands with precision on a wooden platform beside the lake, finishing with an elegant martial-arts-inspired pose with her arms extended. Use realistic human anatomy, natural body movements, accurate physics, fluid transitions, soft daylight, atmospheric mountain fog, crystal-clear water reflections, and ultra-realistic cinematic details. Keep the acrobat's face, hairstyle, outfit, and body proportions consistent throughout the video. The final result should look like a professionally filmed real-life acrobatic performance, with smooth camera movement, breathtaking scenery, and no text, logos, or visual distortions.

REFERENCES: Grandma = 95–100-year-old tiny hunched Korean grandmother (exact face, white bun with wooden pin, quilted indigo jeogori, grey knit scarf, plum skirt, gomusin shoes). Thug = very chubby greasy gangster (exact face with eyebrow scar, shiny black puffer jacket open, red-black floral silk shirt, gold chain, gold ring, black track pants, dirty white sneakers). Leopard = giant adult snow leopard (exact smoky grey-white coat, black rosettes, pale icy-blue eyes, long thick ringed tail). Hut = snowy thatched mountain tea hut on a hilltop with a small snowy yard, a footpath winding down the slope toward camera, and vast misty snow mountains on the right. Keep every identity, outfit, marking and set identical to refs throughout. Only these three beings exist in the scene. PROP LOCKS: PROP-STICK = gnarled dark-brown wooden walking stick, always in Grandma's right hand, she leans on it every moment. PROP-BOWL = small round brown earthenware bowl of raw red meat chunks, always in Grandma's left hand, never dropped, never changes. STAGING LOCK: Grandma stands in the snowy yard just in front of the Hut doorway, facing the footpath/camera, for the entire scene; she never walks away. Thug comes UP the footpath and stops 2 metres in front of her, his BACK to the footpath and slope. Leopard later comes up that SAME footpath from the slope behind Thug. Snow falling softly throughout. LOOK: overcast winter daylight, cool blue-white snow, warm amber glow from the hut door, low saturation, low-to-mid contrast, filmic grain, soft halation. Ambient wind, crunching snow. PACING: natural unhurried Korean delivery, short pauses between lines; never rushed. 0–6s: Opening aerial FPV drone shot: high above vast misty snow mountain ranges, gliding smoothly over frosted pine ridges and drifting clouds, then diving gracefully down the slope toward the tiny snow-covered Hut on the hilltop, slowing and pushing in to a medium shot of Grandma standing in the yard, leaning on PROP-STICK, holding PROP-BOWL. 6–11s: Grandma looks around the hills, calling sweetly and caringly, like to her own son: Grandma (sing-song, tender): 「우리 아가~ 밥 먹자… 어디 갔니, 우리 아들~」 She calls once more, peering at the ridges, smiling. 11–17s: Heavy crunching steps. Thug stomps up the footpath, panting, chin raised, and stops in front of her. Thug (rough, ruthless): 「할매, 이번 달 자릿세. 빨리 내놔.」 Grandma looks at him calmly and gives a small sly smirk. Grandma (humble, gentle): 「잠깐만… 우리 고양이 밥 좀 주고. 그다음에 줄게.」 17–22s: Thug scoffs proudly, pinching his thumb and index finger close together in front of his face to mock something tiny. Thug (angry, sarcastic): 「그 쪼끄만 망할 고양이 기다릴 시간 없어!」 Grandma's eyes shift past his shoulder to the slope; a happy, satisfied smile spreads. Grandma (warm): 「아이고… 저기 오네.」 22–30s: Thug turns around just as the giant snow leopard lunges from the slope behind him.

Create an exactly 15-second, 16:9 Full HD (1920×1080), 24 FPS photorealistic cinematic beauty film using the uploaded reference image and character sheet. Preserve the character’s exact identity, facial features, hairstyle, hair color, outfit, body proportions, environment, and original visual aesthetic. Begin with a high-angle shot of the character lying diagonally on the floor among scattered sheet music, gazing blankly at the notes. Slowly glide the camera toward her face as a loose page drifts across the lens, creating a paper-wipe transition. Cut to an extreme close-up of her eyes, eyelashes, and natural skin texture, with one subtle blink, a distant gaze, and a slow macro push-in. Match-cut from the reflection in her eye to a sheer curtain gently billowing in cool daylight, with subtle movement in nearby music sheets and loose hair strands. Transition through the moving curtain into a low-angle, floor-level tracking shot, moving from her hand holding sheet music along her resting forearm toward her face. She must remain completely flat on the floor, with her cheek resting on her forearm and that arm lying directly on the floor. Her free hand loosely holds a sheet of music near her face. Only her eyes shift toward the camera; her head, shoulders, and upper body remain resting on the floor. Maintain her melancholic, distant expression. For the final four seconds, reveal a wider cinematic composition of the character, scattered sheet music, softly moving curtain, and existing environmental elements. Slowly pull back while drifting sideways, allowing a few pages to move naturally in the breeze. Hold the final beauty frame briefly and fade smoothly to black at exactly 15 seconds. Use elegant editorial cinematography, soft diffused lighting, natural skin texture, delicate facial highlights, expressive eyes, shallow depth of field, subtle film grain, muted pastel tones, refined cinematic color grading, and graceful camera movement. Preserve the reference image’s original lighting and color palette, including warm amber highlights and cool blue daylight if present. Create five distinct shots with intentional paper-wipe, eye-reflection, curtain-wipe, and gaze-match-cut transitions. Keep character animation minimal and environmental motion realistic. Negative prompt: Identity drift, altered face, hairstyle, hair color, outfit, or environment; extra characters; smiling; exaggerated expressions; raised head; lifted shoulders; elbow-supported pose; elevated upper body; sitting; unnatural neck angles; deformed hands; extra fingers; unnatural paper grip; floating pages; chaotic wind; excessive hair movement; unrealistic physics; jitter; flicker; shaky camera; random zooms; abrupt transitions; harsh lighting; plastic skin; excessive retouching; cartoon; anime; vertical framing; text; logos; watermarks; low resolut

STYLE: Animated classical Persian miniature painting, flat layered perspective, intricate floral and geometric patterns, gold leaf sky with swirling stylized clouds, ornate border, delicate graceful motion. Color grade: lapis blue, turquoise, rose, saffron, gold. A colossal Simurgh with a peacock-like body, jeweled wings and a long sweeping tail of patterned feathers. A palace garden with turquoise domes, cypress trees and reflecting pools, courtiers, musicians and a prince on a white horse. SHOT 1 (0 to 3s): Wide shot matching the reference image, the Simurgh spreads its wings across the gold sky, its tail feathers unfurling one by one in shimmering patterns. SHOT 2 (3 to 6s): Medium shot, 35mm lens, musicians in the courtyard stop playing, a courtier drops a pomegranate that rolls across the tiles, the prince's horse rears. SHOT 3 (6 to 9s): Close-up, 85mm lens, the Simurgh's crowned head bows low, its eye glinting like a sapphire, gold patterns rippling across its feathers. SHOT 4 (9 to 12s): Low angle wide shot, 20mm lens, the Simurgh lands in the garden, its wings sweeping over the reflecting pools, petals and leaves of the cypress trees lifting in a spiral. SHOT 5 (12 to 15s): Extreme wide shot, 16mm lens, the prince rides forward and bows, the Simurgh lowers one wing like a staircase, and the swirling gold clouds open into a path across the sky. Fountain water, birdsong, an oud and tar melody that stops suddenly, a vast silken wingbeat, a deep melodic bird call, daf drums and santur building into a triumphant theme.

Ultra-realistic cinematic extreme close-up portrait of a beautiful young woman with delicate facial features, captivating dark brown eyes, long curled eyelashes, subtle smoky eye makeup, and naturally glowing porcelain skin. The video begins with an extreme macro shot of her closed eyes, with loose strands of dark, slightly wet hair falling naturally across her face. Slowly, she opens her eyes, revealing deep, expressive brown irises, as the camera smoothly pulls back to reveal her full face. She wears elegant dangling silver earrings, with a few delicate strands of hair framing her cheeks. Her lips are slightly parted, creating a mysterious, emotional expression. Dark moody blue-black background, dramatic soft side lighting, subtle highlights reflecting in her eyes, realistic skin pores, delicate shadows, shallow depth of field, cinematic atmosphere, premium beauty campaign aesthetic, photorealistic details, smooth natural eye movement, slow camera movement, 85mm portrait lens, f/1.8, HDR, 8K quality, highly detailed eyelashes and irises, professional color grading, vertical composition, 9:16 aspect ratio.

Animated layered papercraft diorama, visible paper fibers and folds, deckled edges, parallax between paper layers, soft shadows, warm backlight glowing through thin paper, gentle handmade motion. Color grade: cream, dusty blue, terracotta, sage green, warm golden backlight. A colossal whale made of folded origami paper with crisp creases. A paper cut village of rooftops and windmills with tiny paper villagers flying kites. SHOT 1 (0 to 3s): Wide shot matching the reference image, the whale glides forward and its folded fins unfold and refold with crisp creasing motions, paper clouds sliding past in parallax layers. SHOT 2 (3 to 6s): Medium shot, 50mm lens, villagers on a hill tug their kite strings as the whale's shadow passes over them, windmill blades spinning faster in its wake. SHOT 3 (6 to 9s): Close-up, 85mm lens, the whale's eye, a small cut circle, blinks as backlight glows through the thin paper of its head, revealing faint printed text inside the folds. SHOT 4 (9 to 12s): Low angle tracking shot, 24mm lens, the whale dives toward the village and its tail sweeps a wave of paper confetti and paper birds out across the rooftops. SHOT 5 (12 to 15s): Extreme wide shot, 16mm lens, the whale rises into the sky and unfolds completely into a flat sheet that becomes a giant paper sun, lighting the whole village warmly. Rustling paper, soft crinkling folds, windmill creaks, a gentle whale call that sounds like a breath through paper, children laughing, music box and soft piano.

A hyper-realistic cinematic slapstick romance told across four seamless shots outside a traditional two-story residential building in South Korea during bright afternoon daylight. Natural handheld smartphone cinematography. Use Image Reference 1 as the woman and Image Reference 2 as the man. Preserve both identities, facial features, hairstyles, and clothing consistently throughout every shot. SCENE A modest Korean villa-style apartment building with pale concrete walls, an open second-floor window, and a white bedsheet hanging from an outdoor laundry rack. A narrow pedestrian walkway runs beneath it, surrounded by potted plants, parked scooters, utility cables, and neighboring buildings. SUBJECTS A Korean woman with her hair tied in a neat bun, wearing a casual patterned house dress and simple indoor slippers. A scruffy, eccentric-looking Korean man with messy hair, light stubble, worn casual clothes, and old sneakers. SHOT 1 | THE UNEXPECTED ENCOUNTER The woman stands at the second-floor window, struggling to straighten a large white bedsheet with a long bamboo laundry pole. Suddenly, the pole slips from her hands and falls toward the street. The camera tilts downward, revealing the man walking beneath the window while looking at his phone. The bamboo lands beside him with a loud THUNK, startling him so badly that he stumbles backward and falls onto a soft pile of laundry bags. He looks up in disbelief. The woman leans out of the window, embarrassed. Woman: "Oh my God! I'm so sorry!" Man: "It's okay... but you owe me a kiss!" SHOT 2 | THE FLIRTY CHALLENGE The woman rolls her eyes but notices the man's exaggeratedly charming smile. She laughs despite herself. Woman: "A kiss? You must be dreaming!" The man dramatically places one hand over his heart and pretends to faint. She giggles, covering her mouth, while he suddenly springs back up and points toward the window. Man: "Then let me come up and prove I'm worth it!" She shakes her head, smiling, and gestures for him to wait. SHOT 3 | THE IMPOSSIBLE ROMANTIC MOVE The man grabs the fallen bamboo pole, runs several steps, and plants it firmly against the ground like a pole vaulter. The bamboo bends dramatically as he launches upward toward the second-floor window. The handheld camera races upward, tracking his ridiculous flight with dynamic motion blur. The woman gasps as he arrives at window level, clinging to the flexible bamboo. He steadies himself, leans forward, and puckers his lips comically. The woman initially looks shocked, then starts laughing at his ridiculous expression. Man: "So... can I have my kiss now?" She pauses for a beat, looks into his eyes, and unexpectedly leans forward. SHOT 4 | THE KISS AND THE LAUNCH The woman gives him a quick, playful kiss on the lips. Both freeze for a split second, eyes wide with surprise. The man beams with happiness. Man: "Worth every second!" But the overloaded bamboo snaps, sending him tumbling back down into the laundry bags.

Create a cinematic, ultra-realistic slapstick comedy scene. The watchwoman’s face and outfit must match the reference image throughout. Shot 1 (0–3s): At a warehouse entrance, a night watchwoman sleeps deeply in a chair, feet on a crate, snoring with a half-eaten bag of chips on her lap. Five thieves sneak in, smirking at her. Shot 2 (3–8s): The thieves try passing her, but her unconscious movements effortlessly clothesline one, trip another into crates, and send a third crashing into a shelf. She keeps eating chips and sleepily mutters, “Too slow…” Shot 3 (8–13s): The remaining thieves nervously huddle before the leader charges her. Without opening her eyes, she elbows him in the stomach, mumbling, “Five more minutes.” He collapses beside the others. Shot 4 (13–18s): The last thief attempts to escape, but her outstretched leg trips him into boxes. All five thieves lie scattered across the warehouse while she finishes her chips, tosses the empty bag perfectly into a trash can, and uses one thief as a footrest. Shot 5 (18–23s): Police sirens approach. She briefly opens one eye, surveys the defeated thieves with a deadpan expression, mutters, “Called it,” and immediately falls back asleep. Her drool resumes as she snores. Shot 6 (23–30s): Police rush in, find the thieves defeated, and stare at the sleeping watchwoman in disbelief. An officer tries waking her, but she lazily swats his hand away. The final close-up reveals a fresh bag of chips mysteriously resting in her lap as she smiles peacefully in her sleep. Style: Fast-paced slapstick comedy, exaggerated but harmless physical gags, expressive reactions, consistent character appearance, smooth shot transitions, cinematic warehouse lighting, impeccable comedic timing, and a satisfying punchline.

Create an exactly 10-second vertical 9:16 ultra-realistic Adidas football boot assembly timelapse in a dark futuristic workshop. Exactly 8 miniature workers in blue uniforms operate robotic arms, conveyors, and precision tools. Assemble a black and electric-blue football boot with white Adidas stripes, black laces, textured panels, padded collar, and metallic studs. Show the complete process chronologically: workers arrange components, install studs, stitch fabric panels, attach the upper to the sole, thread laces, and inspect the finished boot. Machinery retracts as workers gather near the base. End with a premium stationary product hero shot. Fixed camera, consistent geometry, realistic physics, cinematic blue lighting, detailed textures, mechanical ASMR, and energetic 130 BPM music. No cuts, teleportation, extra workers, camera movement, text, or watermarks.

"IGNITE" — 20s Commercial Prompt 🏁 Character: Striking ice-blue eyes, fair skin, light freckles, blonde messy bun. Absolute character consistency throughout. Scene & Audio Timeline: * 0:00–0:02: Dim garage. Exhausted against tires, she lifts her head sharply with fierce focus. VO: "When the pressure peaks... and the track demands everything you've got..." * 0:02–0:04: Macro shot cracking open a frosted matte-black & electric-blue "IGNITE" can. SFX: Can pop. VO: "You don't just race. You ignite." * 0:04–0:06: She drinks; a subtle blue pulse ripples beneath her skin. Zips up a carbon-black racing suit. VO: "Fuel the focus..." * 0:06–0:10: Inside helmet visor—ice-blue eyes reflect glowing cockpit gauges. VO: "Shatter the limits. Pure electric power in your hands!" * 0:10–0:14: Her race car aggressively overtakes a rival on a high-speed corner with tire smoke. VO: "Leave the rest behind." * 0:14–0:17: Cockpit close-up—gloved hands make a sharp steering maneuver to snatch 1st place. * 0:17–0:20: Podium wide shot under confetti. Helmet off, beaming victory while raising the trophy and IGNITE can. VO: "IGNITE Energy—spark your finish." Style: Photorealistic 4K, energetic British female VO, fast cinematic lighting.

【優先参照画像＆名称固定】 @ image1 ＝記述名称：主人公 主人公の人物同一性、顔、髪型、体型、衣装、装飾、装備、靴の外観基準。 以降の本文では、上記で名称固定した名称のみを使用する。 15秒、3:4、実写フォトリアル、明るい昼の青い海上を舞台にした、音声付きの一続きの映像。全編を通して画面の切替なし。人物参照は主人公の外見だけに用い、三面図の並列表現や文字・見本レイアウトは映像へ取り込まない。人物の同一性、衣装、装飾、体格は全編で維持する。BGM・字幕・テロップ・ロゴなし。 登場人物は主人公、クルーA、クルーB、クルーCの計4名。白い機体に青いラインが入った民間の中型撮影用ヘリコプター。黒いスキッド式着陸脚、開いた幅広の側面スライドドア、乗降用の外側ステップ、ダークグレーの機内。ヘリコプターは最初から最後まで海面から一定の高度を維持する。遠景には海岸線が見え、はるか下の海面上には円形トランポリンが設置されている。主人公は開いたドアの外側ステップに立ち、遠く下のトランポリンを見ている。クルーAはドア寄りに立ち、青いウインドブレーカーと黒い救命ベスト、航空用通信ヘッドセットを着用。クルーBは機内のドア近くに立ち、オレンジ色のウインドブレーカーと黒い救命ベスト、航空用通信ヘッドセットを着用。クルーCは機内の奥にいて、緑色のウインドブレーカーと黒い救命ベスト、航空用通信ヘッドセットを着用する。クルー3名の顔が見える。カメラはヘリコプターのドア付近の同じ撮影位置から、やや広角で主人公とクルー3名、ドアの向こうの海を捉えて開始する。カメラの設置位置は変えず、落下と上昇に応じて上下に向きを変える。風切り音とヘリコプターのローター音が全編に自然に続く。 0.0〜3.0秒：クルーAは主人公の方を見て笑顔で「じゅんびいい？」と問いかける。主人公はクルーAへ顔を向けてうなずき、それからカメラのレンズを直接見つめ、笑顔に緊張と高揚をにじませて「よし、いってきます！」と自然な日本語で勢いよく言う。両者の見えている口元はそれぞれのセリフ全文と一致する。クルーBは笑顔で拳を軽く上げ、クルーCは嬉しそうに笑い、身を少し乗り出してうなずく。主人公は発話後に大きく息を吸い、眼下の円形トランポリンへ目を向け、外側ステップを蹴って飛び出す。 3.0〜6.2秒：主人公がヘリコプターから飛び出した瞬間、クルーBが主人公に向けて「いけー！」と声を上げる。カメラはドア付近の撮影位置を保ったまま素早く下へ向きを変え、海へ落下する主人公を画面の中央付近で追う。主人公は身体を伸ばして落下し、距離が開くにつれて画面内で小さくなる。下方の円形トランポリンが見え、主人公はその中央を目指して近づいていく。カメラを下に向けた間、クルー3名は画面外となるが、機内側から楽しげな歓声が聞こえる。ローター音と風の音が続く。 6.2〜7.7秒：主人公が海面上の円形トランポリンの中央付近へ着地する。張った跳躍面が主人公の重みで大きく沈み、下降が止まった直後に強く押し返す。カメラは下を向いたまま、主人公の着地、跳躍面の沈み込み、反発による上昇への反転を一続きで見せる。着地の衝撃音と反発音が聞こえる。 7.7〜11.6秒：主人公は反発の勢いでヘリコプターへ向かって高く跳ね上がり、膝を胸へ引き寄せて小さく身体を折りたたみ、空中で勢いよく回転する。カメラは同じ撮影位置で上昇する主人公に合わせて上へ向き直る。主人公は近づくほど画面内で大きくなり、開いたドアと外側ステップが再び見えてくる。主人公はヘリコプターの外側ステップの直前まで勢いよく一気に上昇し、ステップに届く瞬間に素早く回転をほどいて脚を伸ばし、飛び出したのと同じ外側ステップへ間髪入れず両足を接地する。着地の瞬間に膝で衝撃を吸収して直ちに上体を起こし、冒頭と同じ位置・身体の向き・立ち姿に戻る。ヘリへの接近、回転解除、両足の接地、姿勢の復帰を通常速度で途切れなく続く、鋭く素早い一連の動きとして撮影する。ヘリコプターの海面からの高度は変わらない。 11.6〜15.0秒：カメラは冒頭と同じドア周辺の向きへ戻る。クルーAは主人公に向かって笑顔で拍手する。クルーBは喜んで拳を突き上げ、「やったーー！」と短く声を上げる。クルーCは主人公を見て笑顔で手をたたく。主人公は弾む呼吸のままカメラのレンズへ顔を向け、目を輝かせ、無事に戻れた興奮と喜びを込めて「やばい！やばい、さいこうだったよ！」と明るく自然な声で話す。クルーBと主人公の発話時には口元の動きをそれぞれのセリフ全文と一致させる。最後のフレームは、主人公が最初と同じ外側ステップに立ち、カメラへ話し終えて興奮した表情を見せ、背後でクルーAとクルーCが拍手し、クルーBが喜んでいる状態。クルーの拍手とローター音が続いたまま15秒で終わる。

Ultra-realistic cinematic action sequence featuring a young woman with long black hair wearing a black oversized graphic T-shirt and black boots, sitting outside a suburban house holding a miniature pink supercar. Suddenly, the toy car magically transforms into a full-size, ultra-realistic pink supercar and launches into the air, flying through a quiet residential street before transitioning into a dramatic Tokyo-style urban intersection. The woman appears inside the driver's seat as the pink supercar drifts aggressively through the city, spinning across the crosswalk with realistic tire smoke, spinning wheels, cinematic motion blur, and reflections on the asphalt. The car accelerates through the intersection, leaving thick white smoke trails, then slides dramatically toward a brightly illuminated Japanese convenience store. Cut to a wide cinematic shot of the car drifting outside the store as pedestrians react in surprise. Final scene: the woman walks confidently out of the convenience store entrance, surrounded by scattered groceries and glass reflections, while the pink supercar remains visible in the background.

TITLE: POV — DRIVING IN 2050 Create a 10-second ultra-photorealistic futuristic video showing a beautiful young woman casually driving along a highway in the year 2050, while hundreds of autonomous flying vehicles travel overhead in perfectly organized aerial traffic lanes. MAIN CHARACTER — STRICT IDENTITY CONSISTENCY A beautiful 23-year-old woman with long, straight pastel-pink hair, delicate facial features, realistic fair skin with visible natural texture, soft pink makeup, and subtle glossy lips. She wears: A fitted blue denim sleeveless top. A futuristic metallic silver choker necklace. Bright blue statement earrings. A black seatbelt across her chest. Maintain her exact face, hairstyle, outfit, proportions, and accessories throughout. SCENE 1 — 0:00–0:02 | INSIDE THE CAR Start with a fixed dashboard-mounted smartphone camera facing the woman from the passenger side. She sits behind the steering wheel of a modern luxury vehicle, driving casually. Warm golden-hour sunlight streams through the side window, illuminating her pink hair and face. She looks ahead at the road, then briefly glances toward the camera with a subtle, amused smile. The vehicle interior is realistic, with black leather seats, a dark roof, and natural windshield reflections. SCENE 2 — 0:02–0:04 | THE FUTURISTIC HIGHWAY REVEAL Hard cut to a spectacular elevated wide-angle view of a massive multilane highway at sunset. A dark luxury SUV drives along the nearly empty highway. Above the highway, hundreds of futuristic autonomous flying vehicles hover and travel in tightly organized aerial traffic lanes. The flying vehicles have compact aerodynamic bodies, metallic silver and dark-gray surfaces, and advanced concealed propulsion systems. They move smoothly in synchronized formations, maintaining precise distances from one another. Some fly directly above the highway while others stretch toward the horizon, creating a dense futuristic transportation network. Golden sunlight reflects off their metallic surfaces. SCENE 3 — 0:04–0:06 | BACK TO THE DRIVER Hard cut back to the same dashboard camera angle. The pink-haired woman continues driving completely unfazed by the extraordinary traffic system outside. She rests one hand naturally on the steering wheel and looks toward the windshield with a playful, slightly impressed expression. Sunlight shifts across her face as the vehicle moves. Her facial movements are subtle, natural, and believable. SCENE 4 — 0:06–0:08 | MASSIVE AERIAL TRAFFIC Cut to a dramatic elevated tracking shot following the dark SUV along the highway. The camera reveals an enormous formation of flying vehicles stretching across the sky. Several vehicles glide directly above the camera while hundreds more move across multiple aerial levels. The futuristic traffic looks technologically advanced but physically believable. Below, the dark SUV continues along the sunlit road, appearing calm amidst the chaos above.

Multi-shot 9:16 video, photorealistic time-lapse renovation ad, static camera, bright white room with concrete floor and window: Shot 1 (0-3s): man in orange overalls rakes a huge pile of cucumber slices, spreading them across the entire floor. Shot 2 (3-6s): man and woman in red overalls pour white self-leveling epoxy from buckets over the cucumbers. Shot 3 (6-9s): they squeegee the resin flat; cucumbers vanish under glossy white liquid. Shot 4 (9-13s): workers in yellow hi-vis vests polish the floor with grinding machines, revealing cucumber slices embedded in white terrazzo. Shot 5 (13-17s): man in orange kneels, touching the finished glossy surface. Shot 6 (17-20s): two workers assemble a beige bed in the room. Shot 7 (20-23s): final empty bedroom, white bed, side table with eucalyptus vase, designer floor with green cucumber cross-sections. Fast motion, motion blur on people, consistent lighting and geometry, 4K, satisfying ASMR vibe.

Create a 30-second ultra-realistic cinematic sci-fi racing video set on a futuristic highway at night. A young woman wearing a white racing suit, helmet, and safety harness drives a sleek silver futuristic sports car. Red neon lights illuminate the wet road, creating beautiful reflections and a mysterious atmosphere. Show close-ups of her focused face, hands on the steering wheel, and the glowing dashboard. The car speeds toward a massive vertical loop ramp surrounded by futuristic structures. She accelerates fearlessly and performs a breathtaking gravity-defying stunt through the towering loop. Powerful thrusters activate beneath the car, lifting it into the air as cinematic camera angles capture the incredible movement. Use realistic vehicle physics, dramatic lighting, motion blur, detailed reflections, immersive engine sounds, and high-end Hollywood sci-fi visuals. End with the car speeding away into the glowing neon highway, leaving a mysterious cinematic atmosphere. Exactly 30 seconds, 16:9 landscape, consistent character and vehicle, no text, no logos, no watermark.

Vertical 9:16 photorealistic DIY renovation video, satisfying ASMR style. Bright empty room: white walls, grey concrete floor, large white-trimmed window on the left, soft natural daylight. SCENE 1 — A bearded man in a grey t-shirt and blue denim overalls rakes a large pile of colorful seashells (scallops, clams, cone shells) with a landscape rake, spreading them evenly across the entire floor. Fast time-lapse motion. SCENE 2 — A woman with brown hair in red overalls, white t-shirt and rubber boots pours thick creamy white self-leveling epoxy resin from a large grey bucket. The milky liquid flows over the shells, spreading and gradually covering them completely into a glossy white surface. SCENE 3 — A worker in a neon-yellow safety vest and black cap pushes a floor polishing machine back and forth, grinding and buffing the surface, revealing seashells embedded inside a glossy white terrazzo resin floor. SCENE 4 — The man in denim overalls assembles a light oak wooden bed frame, attaches the headboard and slats, places a white mattress, spreads a white duvet and beige pillows. Final static beauty shot: cozy finished bedroom with an oak bed, white bedding and a designer seashell-terrazzo floor glowing in soft daylight. Style: photorealistic, smooth cuts, time-lapse pacing during work phases, natural soft lighting, high detail, no text.

Create a 28-second ultra-realistic cinematic Korean drama featuring two beautiful young Korean women in a quiet, dimly lit apartment hallway. One woman has long, straight black hair and wears an elegant black outfit, while the other wears a sophisticated white pantsuit with a simple handbag. Begin with a mysterious rear shot of the woman in black walking slowly through a dark corridor illuminated by soft blue light. Transition into a beautifully detailed apartment hallway where both women walk past each other, creating a subtle atmosphere of tension and curiosity. Use cinematic close-ups, natural walking movements, realistic facial expressions, and smooth camera tracking to build suspense. Show a close-up of a wooden doorway and a subtle movement near the floor, followed by an empty hallway and a metallic elevator interior. Capture the woman in black standing quietly inside the elevator with a serious expression. End with the woman in white walking alone through the hallway, followed by a breathtaking close-up of her face outdoors, with her black hair moving gently in the breeze. Use soft natural lighting, muted colors, shallow depth of field, realistic skin texture, cinematic composition, smooth transitions, and professional Korean drama cinematography. Maintain consistent facial identities, hairstyles, outfits, and body proportions throughout the video.

Create a 20-second cinematic, ultra-realistic AI video featuring a young Korean woman with long, dark, slightly wavy hair, wearing a white blouse and dark pants. Begin with a close-up of her sitting beside a window, looking thoughtfully at her smartphone in soft natural daylight. Transition to an outdoor zoo setting where she stands near a railing, casually using her phone while observing the surroundings. Show her approaching the lion enclosure and raising her smartphone to capture a photo of a majestic lion below. Suddenly, the lion charges toward her, creating a tense and unexpected moment. She drops her phone and struggles to escape as the lion lunges at her inside the enclosure. Capture her frightened expressions, realistic body movements, flying dust, and the lion's powerful motion. Use dynamic camera angles, smooth cinematic transitions, natural sunlight, realistic shadows, and detailed environmental textures. Maintain consistent facial features, hairstyle, clothing, and body proportions throughout the video, with dramatic pacing and photorealistic quality.